![]() ![]() Why these tapes stayed locked in the vault for nearly half a century - and what it took to set them free - is a tale of a producer’s neglect, a jazz sleuth’s obsession and a string of happy coincidences. “This ranks on the top shelf of her live recordings,” he says. ![]() Gary Giddins, the veteran critic and author of “Jazz,” agrees. Yet the level on these sessions soared higher and plumbed deeper. There’s nothing rare about a joyous Ella Fitzgerald recording the woman exuded joy in nearly every note she sang. I’ve worked on dozens of Ella projects over the years, but there was something different about this one - the sheer rhythmic joy she projects, the endlessly inventive improvising.” “I was feeling kind of down that day,” he recalls, “and the more I listened, I could not help but start to smile. He was driving to Massachusetts from his home in New Jersey and brought along some rough CD transfers to play in the car. Richard Seidel, the producer of the boxed set, first heard the tapes early this year. Four-CD set features never-before-released Ella Fitzgerald performances at an L.A.
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